AcoustFX - Acoustical effects |
AcoustFX is a collection of
acoustical special effects and percussive instruments for live
performance accompaniment. The accent lies on effects and sounds that need
critical timing like spot effects and percussion. Due to split second
timing these sounds are more difficult to generate with an electronic
keyboard. This adds the visual aspect of the operator producing the
(sometimes funny or weird) noises and sounds in full view of the audience in
stead of some invisible technical booth out of view. This adds an
interesting visual element to the show for the spectator. All
instruments might come together on the Live SFX Console and be utilized for everything from slapstick sounds for silent movie viewings to complete improvised theatre shows on stage.
The Live SFX Console is equipped with various bells, chimes,
cymbals and drums and might
even back up the improvising musician(s) or piano player with
percussion where applicable. The console is 100% self supporting with
its own lighting and stage amplifier. The sounds can therefore not only be
played over the PA in the theatre, but also directly from the stage (or wings) by using the console's build in PA.
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The instruments |
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Shakers and rainmakers |
Rainmakers and shakers are perfect for rhythmic support and percussion.
But with a little imagination various general sounds effects can be
made with them: footsteps, rumble or even a steam train.
There are still plans to construct a small wooden box with some gravel,
dirt and small stones to produce 'footsteps'. This may also be used as
a shaker. A side with some sandpaper glued to it might be used to produce sounds
that might resemble 'rain' or 'rumble' when amplified with the build in PA of the Live SFX Console.
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Rattles and slappers |
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Rattle sounds can be produced in a variety of ways. Of course there is
the classical hand rattle (not even displayed here, but of course
included in the set) but there are also some rattles with a more high
pitched sound in the collection, like the 'Woodpecker', Monk-Bell or vibrating Vibra-Slap that are displayed here. The latter is a percussion instrument that's great as a comical underscore when things fall apart.
And might the music turn out to be a samba or a rumba... then these
instruments might be used musical and as percussive instruments. We're
still looking for a double castanets on a stick that might make a nice
addition. You may also donate your false teeth if you thing we can use
them.
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Horns and bells |
A happy family: The horns and bells. We're still looking for a place on
the console to mount a big, low, old fashioned brass horn. The higher
pitched bicycle type is already in the collection. With a little
practice and imagination it can be used for a whole range of weird
sounds (not only horn sounds!) when the rubber ball is played just
below 'blow-level'. It then produces weird spooky sounds. With its
price tag of only a few euro it can only be considered a real bargain.
Of course there is the ordinary bicycle bell (after all everybody in
the Netherlands has a few bikes, so now I have one cycle without a bell) but also the luxury 'ding-dong' kind
that (when played with a beater) also might be used to produce that
striking pendulum clock. The Flex-A-Tone
is a rattle that can be pitched and has a very distinct sound that comes
in handy to underscore spinning, dreaming, hallucinations and all kinds
of dizzy spells.
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Percussive instruments |
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You've come to the right address for all your hits, claps and kabooms.
Metal and wood percussion. All these instruments can also be used
musical. A woodblock produces a nice deep 'tock', the metal instruments
are more high pitched by nature.
The Energy-Chime (possibly misplaced here, after all you could also call it a 'bell')
might be that fancy doorbell, although it only has three tones. Simply
play the three tones in a continuous loop to underline something supernatural with
your own 'X-files' tune. Instant suspense!
A comic 'shake effect' (astonishment) can be made with the two
toned ago go bell. The cow-bell is pitched just in between. All these
bells together produce a convincing Swiss alpine meadow. You can almost
smell the cows and mountain goats. Talking about multi-media...
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Music boxes |
Particularly useful for that child's dream, hallucinations and dream scenes.
The music boxes can be amplified by the build in PA on the Live SFX
Console. Because they are not fixed to the console, they can
also be used as objects on stage and played directly by the actor if
that might be applicable.
Their use might be quite limited but when they can be used, their impact is
not to be underestimated.
Other sounds that have only a single specific use
could be a real door bell or telephone bell. Only time will tell which
sounds are 'economic' enough to add to the console in future. Did I
already told you that I don't consider carrying a large metal plate to
the theatre to make that thunder strike? Better do that one with the
laptop.
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Whistles |
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A typical slapstick sound we all know from the silent movies is the Acme Siren Whistle. Frequently used when someone gets a pie in the face or is confronted with some other unsuspected terror.
With a little practice, the Slide Whistle can also be played as
a ordinary flute. By oscillating your breath weird vehicles and
machines can be made. A striking coo-coo clock or a steam whistle is a
cinch.
The big wooden whistle is a four tone steam train whistle that sounds
extremely convincing. Because it uses water, probably the biggest
advantage of the professional Bird Whistle is that the
reservoir can be kept closed until it is really used. I did not get
very nice birds from it yet although, probably I have to practice a bit
harder.
Whistles can also be used to produce the sound of wind and storm. Being a
loopable ambiance, this might be easier produced with a good electronic
sound sample although.
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And a lots, lots more... |
A 'tearing' sound can be made with two strips of Velcro. Of course the
coconut-shells are there to make the sound of that galloping horse.
Perhaps a children's glockenspiel would make a nice addition for glides
and glisses. The back of the console features a 35 tone chimes.
Cracking doors and some slides, chains and locks might also be a nice
add-on for the console. Some of the future hobby projects might be the
production of a real 'slap stick': Two spring hinged wooden strips that
can be slapped together to underscore hits and slams.
A rule of thumb is that the longer, often loopable, soundscape type
effects are better generated with electronic samples and that
acoustical elements are handy for funny noises or spot-effects. Most of
them can also be used as percussive instruments.
There is so much to discover, play and experiment with, so consider this only the beginning.
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